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Speaking of European radio stations, (see Mad About Soccer) my new favorite is Germany’s FM4 where I discovered this catchy song by Danish duo Trolle Siebenhaar. She’s adorable and got a voice like honey, and he’s a (little bit) less awkward version of Moby, cool! Plus, this video makes me smile every time I watch!
On May 11th while I was traveling in Spain, I had the opportunity to see the Compania Nacional de Danza 2 perform new choreography by artistic director, Nacho Duato. GNAWA, which opened the show, was stunning. I don’t read Spanish well, so I couldn’t understand the description of the piece until I had a chance to look it up, but I was immediately intrigued by the choice of music, something I’d never heard before: a mix of African drum rhythms and almost flamenco sounding vocals. What a great choice, I thought, to mix this clearly contemporary ballet movement with such nontraditional music! I wanted to find out more about these jams, but that would have to wait.
GNAWA began with a community of dancers walking onto a dark stage holding votive candles and setting them down in a sort of homage or ritual. The dance proceeded to move seamlessly from group sections to duets, with an emphasis on partnering throughout the entire dance. The partnering in Duato’s duets is so fluid and sensual that there were moments when I wondered if it was really two people moving, or one viscous mass being pushed along through space and molded by some outside force. In between partnering sections the tone of the group choreography was strong and connected, an interdependent web (see above image). The dance left an impression on me, obviously. I love the choreography of Duato’s that I’ve seen before (even if some of it starts to blur together after a few pieces), but this dance was especially awesome, and the choice of music had a lot to do with it.
Two weeks later, when I took the ferry from Tarifa to Tangier, Morocco, I found out what GNAWA really is. In Northern Africa, Gnawa is traditionally a word used to describe various mystic Muslim brotherhoods who are known to use music and dance to reach altered states, or ecstasy. I also found this translated description of the dance on the CND2 website:
“In Gnawa, premiered by the Hubbard Street Dance Chicago in 2005, the renowned choreographer has continued along the path he set out on with Mediterrania, seeking to transmit, through the medium of movement, the sensuality of the landscape, the true nature of its peoples. With a suggestive musical score replete with Spanish and North African sounds, Gnawa captivates its audience through its all-encompassing power and its sensual elegance, combining the spirituality and organic rhythm of the Mediterranean.”
Now, Gnawa commonly refers to the genre of music played both ritually and popularly in the Magreb. Actually, it has become so popular that twice a year there are huge Gnawa festivals in Morocco attended by international crowds, and Gnawa cd’s are sold by street vendors in every Moroccan city. If you happen to be traveling in Morocco this June (apparently tourism in Morocco is rapidly increasing), you should definitely take the 3 hour bus ride from Marrakech to Essaouira where the beachside festival happens every year. As my friend Tamer, from a little leather shoe shop in Essaouira told me excitedly as we heard music blasting from a stall down the street, “quand tu ecoutes Gnawa, tu ne peut pas arreter la danse!” (when you hear Gnawa, you can’t stop the dance!) Nacho Duato obviously felt the same way!
The NYtimes has a good article about the festival too!
http://travel.nytimes.com/2008/05/11/travel/11essaouira.html
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